Growth and morphogenesis in the mammary gland depend on locally derived growth factors such as those in the epidermal growth factor (EGF) superfamily. Cripto-1 (CR-1, human; Cr-1, mouse)—also known as teratocarcinoma-derived growth factor-1—is a novel EGF-related protein that induces branching morphogenesis in mammary epithelial cells both in vitro and in vivo and inhibits the expression of various milk proteins. In the mouse, Cr-1 is expressed in the growing terminal end buds in the virgin mouse mammary gland and expression increases during (...) pregnancy and lactation. Cr-1/CR-1 is overexpressed in mouse and human mammary tumors and inappropriate overexpression of Cr-1 in mouse mammary epithelial cells can lead to the clonal expansion of ductal hyperplasias. Taken together, this evidence suggests that Cr-1/CR-1 performs a role in normal mammary gland development and that it might contribute to the early stages of mouse mammary tumorigenesis and the pathobiology of human breast cancer. BioEssays 1999;21:61–70. Published 1999 John Wiley & Sons, Inc. (shrink)

A presença de sintomas depressivos em pacientes crônicos é comum e está associada com a redução da qualidade de vida. Esse estudo em questão, objetivou levantar a sintomatologia depressiva em pacientes fibromiálgicos crônicos e identificar sua relação com características de personalidade. Trata-se de um estudo transversal, descritivo e correlacional. A amostra consistiu de 20 indivíduos, homens e mulheres, com idades entre 32 a 62 anos, com diagnóstico de fibromialgia e em processo de tratamento clínico. Para a coleta de dados utilizou-se (...) o Inventário de Depressão Beck (BDI-II) e a Bateria Fatorial de Personalidade (BFP) e as análises foram descritivas e correlacionais. Identificou-se sintomas depressivos moderados a graves na maioria dos pesquisados e houve associação entre Neuroticismo, Extroversão, Realização e Abertura, indicando que pacientes com fibromialgia se mostram em sofrimento psicológico, com possível dificuldades na tomada de iniciativa, na abertura a novas experiências e na automotivação. (shrink)

The Nordic PhD: Surviving and Succeeding is an edited book written for prospective and current doctoral students by a mix of doctoral students and those who have recently completed their doctorates. The premise is simple: if you could go back in time and talk with yourself when you began your studies, what advice would you give? Isn't hindsight a bonus? If only I knew then what I know now! The Nordic PhD: Surviving and Succeeding follows editions focused on study in (...) Aotearoa New Zealand, Australia, the U.K., U.S., and South Africa. What sets The Nordic PhD: Surviving and Succeeding apart from many others on the market is its down-to-earth and practical approach. Furthermore, its originality also lies in the fact that it is grounded in the context of doctoral studies in the Nordic countries. (shrink)

Dès l’éclatement de la Grande Guerre, beaucoup de philosophes européens ont prêté leurs idées aux motifs de la propagande : les résultats ont souvent été simplistes et caricaturaux, à tel point qu’on a cédé, dans la plupart des cas, à la tentation d’exclure totalement ou presque les discours de guerre des corpus des œuvres théoriques de leurs auteurs. Ainsi la traduction des écrits de guerre simmeliens que Jean-Luc Evard présente pour la première fois aux lecteurs français se place à contre-c...

Duranti gli anni della _Querelle des femmes_ si è assistito ad un’importante crescita di testi in difesa o in detrazione della causa femminile. Una delle caratteristiche principali di questa tendenza letteraria risiede nelle reciproche relazioni che le opere stabiliscono tra loro, attraverso una fitta rete di richiami intertestuali. Il Dialogo _Della Dignità e della nobiltà delle donne_ (1624) dello scrittore marchigiano Cristoforo Bronzini aderisce appieno alla pratica intertestuale che mette a servizio della memoria storico-culturale. Nel presente articolo si analizzano i (...) rapporti intertestuali del trattato seicentesco con opere di scrittrici come Lucrezia Marinella, Moderata Fonte ed Isabella Cervoni, mettendo in rilievo le diverse funzioni che l’intertestualità adempie nei testi della _Querelle des femmes_. (shrink)

Riassunto: Questo contributo si propone di instaurare un proficuo dialogo tra la Philosophie des subjektiven Geistes hegeliana e i principali studi neuroscientifici e psicologici sulle emozioni. Ciò alla luce del fatto che caratteristica dell’attuale dibattito sulle emozioni è proprio l’interazione tra neuroscienze, psicologia e filosofia. Dopo aver mostrato come Hegel abbia elaborato una Theorie des Gefühls, mediante un’analisi del ruolo di Empfindungen e Gefühle nella Enzyklopädie der philosophischen Wissenschaften, emergerà come il dialogo tra il pensiero hegeliano e le prospettive contemporanee (...) sulle emozioni possa contribuire a chiarire questioni quali la distinzione tra diversi tipi di emozioni o la differenza che sussiste tra il loro aspetto cognitivo e quello affettivo. È l’aspetto cognitivo insito nelle emozioni, come sottolineato sia da Hegel sia dai più recenti studi sulle emozioni, che consente al soggetto di orientarsi nel mondo. Parole chiave : G.W.F. Hegel; Spirito soggettivo; Emozione; Sentimento; Cognizione Hegel’s Theorie des Gefühls in Dialogue with Contemporary Theories of Emotions: Considering the relevance of the interaction between neuroscience, psychology, and philosophy in the contemporary debate on emotions, this paper aims at establishing a fruitful dialogue between Hegel’s Philosophie des subjektiven Geistes and the most important neuroscientific and psychological research on emotions. By means of an analysis of the role of Empfindungen and Gefühle in the Enzyklopädie der philosophischen Wissenschaften, we will show that Hegel developed a Theorie des Gefühls. The proposed dialogue between Hegel’s thought and contemporary theories is useful for distinguishing the various types of emotions and their cognitive and affective aspects. In fact, it will emerge that both Hegel and recent studies on emotion consider emotions to be characterized by a cognitive valence which enables a person to orient herself/himself in the world. Keywords: G.W.F. Hegel; Subjective Spirit; Emotion; Feeling; Cognition. (shrink)

Oxford, Exeter College Library, Ms. 23, ff. 195va-198ra, transmits a miscellany of psychological texts, divided into various sections. This article shows that the first sections of the miscellany reproduce most of Achard of Saint-Victor's De discretione animae, spiritus et mentis, but arrange its material in a different order from DASM and express similar ideas with different wording or word-order. OxDASM would seem to be, or derive from, an unknown version of DASM. The text in Oxford, Exeter College Library, Ms. 23 (...) certainly must be added to the medieval dissemination of DASM, of which before now only four manuscripts-and no indirect tradition-were known. This article has four parts. In the first part, I give an outline of Achard's works and their dissemination. Secondly, I discuss the content of DASM and some of choices made by the editor of the text, Nikolaus Häring. Thirdly, I present the Oxford manuscript, with particular reference to the relatio... (shrink)

This article aims to demonstrate the enduring impact of Rodolfo Sacco’s influential contributions to comparative law on the perspectives of young scholars. It explores two pivotal aspects of his research that continue to significantly influence the work of a young scholar—the theory of legal formant and exploration of the relationship between law and language. The article also briefly highlights the relevance of legal comparison in the contemporary European legal context.

Current research in artificial intelligence (AI) sheds light on algorithmic bias embedded in AI systems. The underrepresentation of women in the AI design sector of the tech industry, as well as in training datasets, results in technological products that encode gender bias, reinforce stereotypes and reproduce normative notions of gender and femininity. Biased behaviour is notably reflected in anthropomorphic AI systems, such as personal intelligent assistants (PIAs) and chatbots, that are usually feminized through various design parameters, such as names, voices (...) and traits. Gendering of AI entities, however, is often reduced to the encoding of stereotypical behavioural patterns that perpetuate normative assumptions about the role of women in society. The impact of this behaviour on social life increases, as human-to-(anthropomorphic)machine interactions are mirrored in human-to-human social interactions. This article presents current critical research on AI bias, focusing on anthropomorphic systems. Moreover, it discusses the significance of women’s engagement in AI design and programming, by presenting selected case studies of contemporary female media artists and designers. Finally, it suggests that women, through their creative practice, provide feminist and critical approaches to AI design which are essential for imagining alternative, inclusive, ethic and de-biased futures for anthropomorphic AIs. (shrink)

La nozione di bios è una nozione-chiave della ricerca foucaultiana. Negli studi sul mondo antico, il bios appare come sostanza etica per l’esercizio, il governo e la trasformazione di sé. E’ utile indagare analogie e discontinuità tra la nozione di bios che troviamo negli ultimi corsi al Collège de France e il bios nell’accezione di “forza creatrice” comune e plurale della vita che troviamo nella precedente ricerca foucaultiana. La nozione di “modo di vita” consente di esplorare le ambivalenze che innervano (...) tale questione. Nella sua declinazione singolare-plurale, il motivo del bios solleva inoltre una riflessione sulla dimensione dell’essere in comune: l’orizzonte comune della vita comune – bios – è ricreato dalla condivisione di stili di esistenza – bioi – che tagliano in diagonale il piano delle relazioni istituzionalizzate. (shrink)

This paper investigates Abelard’s first argument against the ‘material essence’ realist view on universals in the Logica ‘Ingredientibus’. It analyses three different interpretations of the argument, those of Alain de Libera, Peter King and Martin Tweedale. Much depends on the manuscript reading ‘iam corpus’ in a crucial passage. The paper argues against the manuscript reading and in favour of the emendation ‘non corpus’ suggested by the editor, Bernhard Geyer. The emended reading is supported by comparison with similar arguments of Abelard (...) and his school found in published and unpublished sources. (shrink)

Les études sur la migration ont mis l’accent sur la dimension relationnelle du processus de migration, cependant le sujet a rarement été analysé systématiquement à l’aide de l’analyse des réseaux sociaux. À partir d’entretiens avec des jeunes et adultes espagnols installés à Toulouse entre 2004 et 2014, cet article montre la diversité des configurations de réseaux. Cette diversité est due à la variété des processus de mobilité et des parcours biographiques. Au fil des mois et après quelques années de résidence (...) à Toulouse, ces personnes ont subi une reconfiguration de leur entourage qui associe principalement des relations avec des personnes résidant dans le lieu d’origine et d’autres qui sont locales. Cette reconfiguration aura comme points forts la rupture avec certains liens dans la société d’origine mais aussi l’activation de nouvelles relations, ainsi que l’intensification de nouveaux et d’anciens liens à cause de la mobilité. Cette diversité est expliquée dans l’article en examinant les caractéristiques et les circonstances vécues avant la mobilité, ainsi que les caractéristiques de leurs contacts prémigratoires. (shrink)

Cet article expose la critique de Maimon du principe kantien de causalité. Pour ce faire, nous considérerons les deux niveaux sur lesquels cette critique se développe, l’un formel et l’autre matériel. Au premier niveau, Maimon soulève trois objections au jugement hypothétique, relativement à son origine, sa fonction et sa modalité. Selon le deuxième, Maimon développe deux objections, dont la première concerne en général la démonstration kantienne de la validité des catégories, tandis que la seconde concerne en particulier celle du principe (...) de causalité. Cela nous permettra de mieux comprendre le sens de ses deux objections fondamentales contre la philosophie kantienne, formulées à travers les questions quid juris? et quid facti? (shrink)

Il volume analizza e commenta le lezioni inedite che Cosmo Guastella, docente di Filosofia teoretica nell’Università di Palermo, tenne tra il 1903 e il 1915. Il testo contribuisce a colmare un aspetto inedito per la ricostruzione dell’intera produzione de.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Advances in Peircean Mathematics: The Colombian School ed. by Fernando ZalameaGianluca CaterinaFernando Zalamea (Ed.) Advances in Peircean Mathematics: The Colombian School Berlin, Boston: De Gruyter, 2022. 212 pp. (incl. index).The volume Advances in Peircean Mathematics is an important, very much needed contribution towards a deeper understanding of the impact of Peirce's work especially in the fields of mathematics, logic, and semiotic. It fills a gap in the current (...) literature by recasting some of [End Page 373] Peirce's profound mathematical insights into a formal framework. This is a finely edited editorial project, which summarizes the work of more than two decades done by a group of scholars—the Colombian School—lead by Fernando Zalamea, a pioneer of Peirce studies, and pragmatism in general, in Latin America.The structure of the volume unfolds in three dense chapters, each corresponding to a specific mathematical context connected to various aspects of Peirce's work. Broadly speaking, in the first chapter, Gustavo Arengas proposes the theory of higher category theory as a natural framework to represent the main traits of Peirce's semiotic; in the second chapter, Francisco Vargas develops a thorough set-theoretical model of Peirce's continuum; in the third chapter, Arnold Oostra, in a truly Peircean spirit, formalizes the notion of Intuitionistic Existential Graphs, emphasizing the idea that intuitionistic logic is the most natural context to represent and understand Peirce's diagrammatic logic. The fourth and last chapter, penned by Zalamea, provides the reader with a solid summary of the main results presented in the volume along with a robust road map to navigate through the technical details of the text.Mathematics, as implied by the title of the volume, is at the core of this project, and the authors do not shy away from the complexity, details, and depth of it in order to shed light on some of the most fundamental and groundbreaking nature of Peirce's ideas. That level of rigor and formal soundness is certainly one of the strengths of the volume, although readers who may not be acquainted with at least some basic notions of category theory or with the mathematics of Peirce's work, may find some of the text a bit terse—this is not a casual reading and it does require a certain level of commitment in order to appreciate the depth of the provided insights. On the other hand, all the background material is clearly laid out, making the volume a self-contained work which can be thoroughly enjoyed by a general audience.The real upshot of recasting some of Peirce's intuitions within the fabric of formal mathematics is not only that of providing the instruments to clarify those ideas, but also that of highlighting the role that Peirce's work has been playing in the development of modern mathematics in many relevant aspects, from the very genesis of category theory—which today is widely regarded as a necessary and unifying language in several fields of the mathematical and physical sciences—to the development of non-standard analysis, just to mention a few of them.An elegant instance of such perspective is offered by Gustavo Arengas in the first chapter, where it is argued that ∞-categories can be used to model the natural order of hierarchies implicit in Peirce's conception of the basic triadic relation between sign, object, and interpreter. What, at first glance, may seem just a simple analogy, unfolds onto a methodical and enlightening analysis of Peirce's semiotic, as the author builds [End Page 374] the connections with the relevant categorical constructions in a precise manner. Most of the rest of the chapter focuses on Peirce's notions of the pragmatic and pragmaticist maxim, and the use of basic structures such as monads, limits, presheaves and sheaves as the natural environment to better convey their meaning, both from a mathematical and a philosophical perspective. The reader will find it interesting to realize that, by delving deeper into the understanding of the relational nature of category theory, a great chunk of Peirce's work can be seen as fundamentally intertwined with the apparatus and the language of modern mathematics... (shrink)

L'artefice della diffusione dei trattati di Egidio Romano in ambiente ebraico fu Yehudah Romano, quasi contemporaneo dell'autore latino ed egli stesso autore di molte opere in lingua ebraica che circolarono nei secc. XIV-XVI. I suoi testi furono parzialmente letti da Pico della Mirandola, per il quale Flavio Guglielmo Raimondo Mitridate tradusse in latino l'inizio del commento all'Opus creationis. Inoltre Yehudah tradusse dal latino alcune opere del corpus aristotelico, facendo ampio uso dei commenti egidiani, e alcune parti dei trattati di Alberto (...) Magno, Tommaso, Angelo da Camerino e del De unitate intellectus di Gundisalvi. L'A. annota che per quanto riguarda alcune discipline, come ad esempio la logica e la retorica, la sola autorità accettata è Egidio. La fedeltà sintattica delle traduzioni di Yehudah fa sì che le sue versioni abbiano un valore quasi equivalente alla fonte primaria per l'ed. critica degli scritti egidiani. (shrink)

George Eliot (1819-1880) escribió sus obras en un contexto protestante que se traslada a sus novelas, en las que aparecen tanto conflictos morales como pugnas entre confesiones religiosas y personajes que encarnan distintas profesiones. La visión del catolicismo que se proyecta en las novelas es muy crítica. Sin embargo, en época franquista se publicaron en el Estado español cuatro de sus novelas traducidas al castellano: Janet’s Repentance, Adam Bede, Silas Marner: the Weaver of Raveloe y The Mill on the Floss. (...) Este estudio investiga por qué ni la censura administrativa ni los catálogos morales se ensañaron con Eliot. Para elucidar la cuestión se analizan los expedientes de censura, los catálogos morales y las modificaciones y manipulaciones del texto original en las distintas traducciones. Los expedientes de censura autorizaron la publicación de las diferentes ediciones sin tachaduras ni modificaciones y los catálogos no alertaron contra la inmoralidad de las novelas que nos ocupan. A la luz de los comentarios que aparecen tanto en los expedientes como en los catálogos, podemos afirmar que las obras de Eliot no se percibieron como una amenaza al régimen franquista ni al catolicismo, ya que estaban ambientadas en un país protestante, ajeno a la realidad española, sin traslación posible. La facilidad con la que las obras superaron este proceso se debe también a la autocensura previa llevada a cabo por los responsables de la traducción y la edición. Cuando llegaron a la censura, la mayoría de los fragmentos más críticos con el catolicismo ya habían sido expurgados. (shrink)

While the presence of monsters in popular culture is ever-increasing, their use as an explicit or implicit category to frame, stigmatise, and demonise the other is seemingly on the rise. At the same time, academic interest for monsters is ever-growing. Usually, monstrosity is understood as a category that emerges to signal a transgression to a given order; this approach has led to the demystification of the insidious characterisations of the (racial, sexual, physical) other as monstrous. While this effort has been (...) necessary, its collateral effects have reduced the monstrous to a mere (socio-cultural) construction of the other: a dialectical framing that de facto deprives monstrosity from any reality. 'Monstrous Ontologies: Politics, Ethics, Materiality' proffers the necessity of challenging these monstrous otherings and their perverse socio-political effects, whilst also asserting that the monstrous is not simply an epistemological construct, but that it has an ontological reality. There is a profound difference between monsters and monstrosity. While the former is an often sterile political and social simplification, the end-product of rhetorical and biopolitical apparatuses; the latter may be understood as a dimension that nurtures the un-definable, that is, that shows the limits of these apparatuses by embodying their material excess: not a 'cultural frame', but the limit to the very mechanism of 'framing'. The monstrous expresses the combining, hybridising, becoming, and creative potential of socio-natural life, albeit colouring this powerful vitalism with the dark hue of a fearful, disgusting, and ultimately indigestible reality that cannot simply be embraced with multicultural naivety. As such, it forces us towards radically changing not the categories, but the very mechanisms of categorisation through which reality is framed and acted upon. Here lies the profound ethical dimension that monstrosity forces us to acknowledge; here lies its profoundly political potential, one that cannot be unfolded by merely deconstructing monstrosity, and rather requires to engage with its uncomfortable, appalling, and revealing materiality. This book will appeal to postgraduate students, PostDocs, and academics alike in the fields of philosophy, critical theory, humanities, sociology and social theory, criminology, human geography, and critical legal theory. (shrink)

Antonio BanfiBanfi, Antonio war der wichtigste Vermittler Simmels in der italienischen Kultur. Unmittelbar nach dem Abschluss seines Studiums in Mailand – mit einer Dissertation über die Philosophie der Kontingenz von BoutrouxBoutroux, Èmilebis BergsonBergson, Henri – bricht er im Frühjahr 1910 nach Berlin auf, wo er die Vorlesungen Simmels hört. Banfi sucht in Deutschland eine Alternative zur Hegelrezeption von SpaventaSpaventa, Bertrando, CroceCroce, Benedettound GentileGentile, Giovanni, um sich eingehender mit dem Neo-Kritizismus, der „Philosophie der Immanenz“ sowie der Energetik zu beschäftigen. Der ganze (...) intellektuelle Werdegang Banfis, mit seinem Kampf gegen den Idealismus und mit der Verteidigung eines offenen Rationalismus, mit ständigem und antidogmatischem Bezug der Vernunft auf die Idee des Lebens, wird von den anti-intellektualistischen Themen geprägt, in die er sich in Berlin bei Simmel vertieft hat. (shrink)

Este relato de experiência discute um eixo de um projeto de ensino, pesquisa e extensão multi e interdisciplinar sobre educação e humanização da morte. Trata-se de ações da Psicologia destinadas à saúde mental dos trabalhadores do serviço funerário da cidade de São Paulo. A intervenção dividiu-se em duas etapas: visitas aos cemitérios, para aproximação daqueles pesquisadores à realidade e às demandas desses servidores; e oficinas com técnicas de dinâmica de grupo. Estas aconteceram por cinco meses, contaram com 130 participantes — (...) motoristas, sepultadores, “veloristas”, supervisores e gestores de recursos humanos — e tiveram como facilitadoras as integrantes da graduação e da pós-graduação em Psicologia. A análise das oficinas evidenciou, da parte dos servidores, sensibilização para suas necessidades em favor da saúde mental, percepção do valor de cuidado e humanização em suas relações profissionais e pessoais. Ademais, ações como essa realçaram a relevância de frequente acolhimento psicólogico a trabalhadores de serviços funerários. (shrink)

Informed consent (IC) is a key patients’ right. It gives patients the opportunity to access relevant information/knowledge and to support their decision-making role in partnership with clinicians. Despite this promising account of IC, the relationship between ‘knowledge’, as derived from IC, and the role of clinicians is often misunderstood. I offer two examples of this: (1) the prenatal testing and screening for disabilities; (2) the consent process in the abortion context. In the first example, IC is often over-medicalized, that is (...) to say the disclosure of information appears to be strongly in the clinicians’ hands. In this context, knowledge has often been a curse on prospective parents. Framing information in a doctor-centred and often negative way has hindered upon prospective parents’ decision-making role and also portrayed wrong assumptions upon disabled people more widely. In the second context, information is more often than not dismissed and, in a de-medicalized scenario, medical contribution often underplayed. The latter leads to an understanding of the dialogue with clinicians as a mere hinderance to the timely access to an abortion. Ultimately, I claim that it is important that knowledge, as derived from IC, is neither altogether dismissed via a process of de-medicalization, nor used as a curse on patients via a process of over-medicalization. None of the two gives justice to IC. Only when a better balance between medical and patients’ contribution is sought, knowledge can aspire to be a blessing (i.e. an opportunity for them), not a curse on patients in the IC context. (shrink)

When I am watching a movie, I perceive on the screen a space, which is united and lived, even if it appears as fragmented and separated from the world in which I live. But is the space of the cinematic frame equivalent or commensurable with the one I see through my own eyes? Are they opposed to each other or do they merge together? The most amazing example of the possible convergence of gaze and frame the film realizes is the (...) phenomenon of vision showing itself in the point-of-view shot. How can I perceive what I see on the screen as the vision of another, and the film itself as someone else’s vision? How does this relationship between the visual field of the film and my own, between my body and the screen, challenge the limits between objective and subjective? Drawing on Merleau-Ponty’s reflections about cinema and visibility, I try to outline the traits of what I would call a reversible point-of-view shot. (shrink)

La pensée du corps. Un parcours esthétique chez le dernier Merleau-PontyLe but de cette contribution est de chercher à reconstruire un parcours théorique, entre plusieurs autres possibles, en mesure de montrer comment l’art, en particulier la peinture, incarne chez le dernier Merleau-Ponty la possibilité d’un autre type de pensée. Il s’agit de la tentative de suivre une idée qui semble faire son chemin au sein de la réflexion que l’auteur consacre à la Nature et puis à l’Etre brut et sauvage, (...) ou bien aussi dans celle d’une pensée enracinée dans la corporéité, qui devient une chose qui pense et qui fait penser. Une hypothèse de sens qui ouvre à une investigation de la chair humaine, et qui aboutit au résultat visible de cette pensée qui est corps et qui trouve dans la vision de l’art moderne ses signes les plus paradigmatiques.Il s’agit d’un itinéraire exégétique qui propose, en substance, un double plan: d’une part, une lecture de l’essence du corps, dans la facticité primordiale de la Nature, dans lequel se loge une sorte d’ontologie de la cavité et, de l’autre, le résultat philosophique possible d’une corporéité qui pense et qui, à travers l’art de la peinture, fait voir une pensée non plus fondée sur la représentation, en dernière instance, une pensée post-métaphysique. Et cela n’est pas sans conséquences pour le rapport de l’homme avec le monde et avec la philosophie.The Thought of Body. An Aesthetic Path in the Final Merleau-PontyThe purpose of this contribution is to try to reconstruct a theoretical path, between several other possibilities, capable of showing how art, in particular painting, incarnates in the final Merleau-Ponty the possibility of another type of thinking. What is at issue is an attempt to follow an idea which seems to make its way within the reflection that Merleau-Ponty dedicates first to Nature, and then to brute and wild Being, or as well in that of a thought rooted in corporeity, which becomes a thing which thinks and which requires thinking. We are following a hypothesis concerning the sense which opens to an investigation of human flesh, and which leads to the visible result of this thought which is body and which finds its most paradigmatic signs in the vision of modern art.What is at issue is an exegetical itinerary which proposes, in substance, a double plan: on the one hand, a reading of the essence of body, in the primordial facticity of Nature, in which a sort of ontology on the cavity lodges itself and, on the other hand, the possible philosophical result of a corporeity which thinks and which, through the art of painting, makes see a thought no longer founded on representation, and is, at the end of the day, a post-metaphysical thought. And that is not without consequences for the relation of the human with the world and with philosophy. (shrink)

Résumé -/- Anna Caterina Dalmasso L’artiste et l’adversité. Hasard et création chez Merleau-Ponty -/- À plusieurs reprises, Merleau-Ponty tisse une correspondance entre art et histoire, entre pratique artistique et action politique : plus précisément il nous invite à former le concept d’histoire sur l’exemple de l’art. À première vue, un tel rapprochement pourrait paraître abstrait, sinon provocateur, l’art étant souvent conçu comme un domaine qui semble avoir peu à faire avec l’espace de l’action. Mais, nous pouvons aujourd’hui comprendre davantage (...) l’intérêt de l’intuition merleau-pontienne, nous, qui faisons l’expérience de la connexion étroite entre l’univers visuel et le milieu politique ou historique, comme des dimensions devenues désormais inséparables. Au fur et à mesure qu’une conception positiviste de l’histoire ou de la politique entendue comme progrès, ou du moins comme projet, échoue sous nos yeux interdits, la question de l’historicité se fait de plus en plus urgente : Merleau-Ponty nous invite à penser l’histoire comme le « lieu de nos interrogations et de nos étonnements », le lieu d’une réponse, voire d’une responsabilité que nos organismes technologiques exigent. C’est à partir de l’expérience de la création artistique et de son rapport constitutif au hasard qu’une pensée de l’historicité peut s’élaborer, là où l’esthétique merleau-pontienne rejoint le mystère d’un sens historique et esquisse implicitement une éthique de la contingence, en ce qu’elle nous appelle à un exercice de la liberté. -/- Abstract -/- Anna Caterina Dalmasso The Artist and the Adversity. Chance and Creation in Merleau-Ponty -/- Throughout his works, Merleau-Ponty has developed the analogy between art and history, between art practice and political action: more precisely he invites us to think about the concept of history on the example of art. At first sight, such an equivalence could seem abstract, if not provocative, insofar as art is still sometimes regarded as a field having little to share with action. But today, experiencing the close connection between the visual and the political environment, we can understand, perhaps better than his contemporaries, what is at stake in Merleau-Ponty’s insight for a new comprehension of history. Whereas a positivist conception of history and politics understood as progress or project seems to be failing before our astonished eyes, the question of historicity becomes more and more urgent: Merleau-Ponty prompts us to think of history as a mysterious junction between facticity and intention, as the beginning of our wonder, as the place of the responsibility that our technological organisms demand. The experience of creation is the figure through which Merleau-Ponty tries to conceive contingency, which is the kernel of the Geneva conference, later called The Man and the Adversity. So, drawing on Merleau-Ponty’s constant reference to the operation of artistic creation, especially on the reference to El Greco, I aim at examining how a new conception of history can spring by a comprehension of the experience of creation. I will argue that, from the analysis of the relationship between the artist and the sensible, between the artist and her body, Merleau-Ponty comes to outline what I would call an ethics of contingency, insofar as it calls us to the exercise of our freedom. (shrink)

Die Besonderheit der Simmelrezeption in Italien besteht darin, dass hier ausgesprochen philosophische Lesarten deutlich im Vordergrund stehen. Zuerst machen einige kritische Rezensionen von Benedetto CroceCroce, Benedettound Giovanni GentileGentile, Giovanni zu Beginn des Jahrhunderts auf Simmel aufmerksam, deren neo-idealistische Ausrichtung immer auf Distanz zu den Autoren der Lebensphilosophie und ihren italienischen Lesern bleibt.